What’s On:
RSCM Church Music Conference 2026
Join us for an inspiring weekend dedicated to the vibrant role of music in the life of the church. Hosted at Sarum College, Salisbury—the home of the RSCM—this event is a must for anyone passionate about worship and music.
Whether you’re a RSCM Member, choir leader, organist, clergy member, singer or simply someone who loves the sound of voices raised in praise, the spring conference offers something for you. It’s a chance to connect with like-minded musicians and practitioners, explore fresh ideas, and discover resources that will enrich your ministry.
- “Really great workshops – the staff team are so knowledgeable” – Previous Conference Attendee
- “[The] RSCM is a lifesaver – I have learnt so much” – Previous Conference Attendee
- “A thought-provoking event” – Previous Conference Attendee
- “It is always good to see each other face to face and encounter a person directly in the flesh”– Previous Conference Attendee
- “It is both heartening and challenging to listen to what is excellent practice” – Previous Conference Attendee
Tickets: Saturday – £65 (RSCM Members) or £80 (non-members), with optional Friday Meet, Eat & Sing (supplement required*). Spaces are limited—reserve yours early!
Details
What’s on the programme?
- ‘Church music isn’t just tradition—it’s the future. Join us and be part of the conversation.’ – Hugh Morris, RSCM Director
Friday evening: Optional Evensong at Salisbury Cathedral, welcome drinks and two-course dinner, and a singing session led by RSCM Director Hugh Morris featuring exciting new repertoire.
Saturday: A full day of worship, workshops, and networking exploring church music and ministry. The programme features practical sessions on choir training, organ playing, worship planning, recruitment, safeguarding, and engaging young voices, alongside insights into parish music vision and RSCM initiatives. Highlights include a keynote address by RSCM Director Hugh Morris and the RSCM’s Annual Lecture. The day includes lunch, trade stalls, and concludes with Evensong in Salisbury Cathedral—celebrating music’s power to inspire and unite.
Make it a weekend to remember! Stay at Sarum College (limited availability) or explore the historic city of Salisbury with its shops, museums, and iconic cathedral.
Friday 24th April
Separate, bookable event.
17:30 – Evensong at Salisbury Cathedral (optional)
18:00 – Registration opens; welcome drinks
18:30 – Two-course dinner, Sarum College refectory
19:45 – Singing session led by RSCM’s Director, Hugh Morris, exploring new repertoire recently published by the RSCM
21:45 – Compline in the Sarum College chapel
Saturday 25th April
10:00 – Welcome and registration for day guests
10:30 – Workshop Sessions 1 (click for more details)
11:15 – Keynote Address by Hugh Morris: Church Music Matters. Hugh will address some of the key issues in church music today, and how these will inform priorities for RSCM’s Centenary and beyond
11:50 – Networking Opportunities
13:00 – Buffet lunch, Sarum College refectory
14:00 – RSCM Annual Lecture: Redefining sacred music through the influence of women as composers, performers, educators and beyond | Dr Elizabeth Stratford
14:45 – David Halls, Salisbury Cathedral Director of Music, in conversation: planning, people, partnerships
15:15 – Networking Opportunities
15:40 – Workshop Sessions 3 (click for more details)
16:20 – Workshop Sessions 4 (click for more details)
17:30 – Evensong at Salisbury Cathedral (optional)
Workshops 1
1 | Voice Care for Choral Singers | Hilary Llystyn Jones
This practical workshop will be about voice care, when and when not to sing, the function of the larynx, posture, breath management, warm ups, cool-downs and rest. Please bring along a small hand held mirror, a bottle of water and a straw.
2 | Choir training tips and tricks | Lucy Joy Morris
A practical session sharing a range of tried-and-tested rehearsal tips and tricks to help choir directors get the best from their singers. Alongside quick solutions to common rehearsal challenges, we’ll explore ways of making rehearsals more engaging, active, and enjoyable. Using simple games, gesture, movement, and short interactive exercises, the session focuses on helping singers embody musical ideas rather than just hear instructions. Participants will leave with a toolkit of practical techniques they can take straight back to their own rehearsals.
3 | Singing for clergy: Demystifying Evensong responses and Eucharistic prayers | The Revd Canon Anna Macham
This session will look at parts of services that clergy are often required to sing, such as preces and responses in Evensong and eucharistic prayers in the Eucharist or communion services. Aimed at all levels of experience, we will share tips for things that have helped build confidence in singing. There will be an opportunity to look at different texts and chants and how we select them for different occasions and to share useful resources.
4 | Building school/church partnerships through singing | Sarah King
Singing together is a fantastic tool for growing relationships between school and church, especially where opportunities for young people to encounter music in school are limited. During this session, we will explore some encouraging case studies and consider how we might be able to use music to develop school/church partnerships in our own contexts.
Sarah King, RSCM Education Programmes Manager, co-ordinates the work of the Education team as it delivers a diverse range of activity, including direct training in online, day and residential courses, our Voices, Residentiary and Youth Choirs, our Hymnpact! resource and our Voice for Life Award exams. She joined the RSCM in 2013 and holds an MA in Christian Liturgy as well as a first degree in Music.
Workshops 2
1 | Developing musicianship | Lucy Joy Morris
How can singers become more confident, independent musicians? This practical session explores simple ways to develop musicianship through listening, movement, and active engagement with the music. Drawing on Kodály and Dalcroze approaches, we’ll use warm-ups that prepare the body and voice while training the ear, explore how a tuning fork can support independence, and use psalm chant as a tool for developing confidence with singing intervals. Participants will leave with practical ideas to use in rehearsals and personal practice.
2 | Organ playing help – hymns, voluntaries, and ‘covering the gaps’ | John Challenger
A session offering practical guidance on the most common requirements of the church organist, from hymns and voluntaries to improvisation and registration. Aimed both at those with some experience, as well as pianists and novice organists. There will be an opportunity to bring specific queries and ask for help with particular areas.
3 | Developing faith in children and young people through the music of your church | Rosie Freeman
We all love to see children and young people involved in our churches, but how can we take their engagement with the life of the church beyond just singing or playing and lead them to become active disciples? Whatever the flavour of your worship, from Tallis to Townend, we can use the music of our worship to deepen the faith of the younger members of our church families. Join this session for some ideas on how we might do this in practice.
Rosie Freeman, DipRSCM, is Project Resources Creator (supporting faith and discipleship for children and young people through singing) with the RSCM. She also works as Choir Chaplain and Families Minister in The Bourne Parish, Farnham, Surrey. She holds an MA in Sacred Music Studies and has recently been recommended for training for ordained ministry.
4 | Safeguarding simplified | Emma Huxley & Dr Paul Hedley
We all have a duty to value each person as someone who bears the image of God and is loved equally by God, and therefore should be protected from harm. That doesn’t mean, however, that safeguarding has to be complex or particularly difficult. RSCM’s Safeguarding Lead and Deputy Director offer some practical guidance on how to consider safeguarding elements in your context, ensuring that people are appropriately protected without erecting barriers that stop activity completely.
Emma Huxley, joined the staff team at the RSCM in June 2006. Having worn many hats during that time, Emma has been RSCM Safeguarding Officer and HR Administration Manager since 2024. The RSCM embraces safeguarding as a positive and vital contribution to its work, providing safety and wellbeing for all, striving to ensure the children we work with are safe, happy and thriving.
Workshops 3
1 | Improve your sight singing skills | Dr Paul Hedley
How many of us would claim to be ‘good sight readers’? How might we get better? RSCM’s Deputy Director will share practical tips and exercises to improve your sight singing, and build your confidence as a singer, particularly when faced with music you haven’t seen before.
2 | Recruiting adults to your choir | Hugh Morris
If you look with some envy at other choirs which have large numbers of singers and wish yours was the same, then this session is for you. What are the special ingredients that they use to attract them in? Come and join the discussion to explore the topic and to gain tips on practical things to try back at home.
3 | ‘In these or other suitable words’| Canon Peter Moger
The Church of England operates a mixed ecology across a great diversity of churches. Its clergy and lay ministers, though, are legally bound to use ‘only the forms of service which are authorised or allowed by canon.’ Where is there scope for creativity and variety, to enable worship which fits the local context yet remains faithful to Anglican liturgical provision? This workshop will explore the thinking behind Common Worship and examine how we might best use its rich resources to create services which engage worshippers and have the potential to transform.
4 | Community engagement | Joshua Hutchinson
Music is deeply connected to culture and community, and it is virtually impossible to find any culture or community without music. Churches, big or small – rural or urban, can all have a role to play in using music as a tool to connect with and build community.
This session will explore ideas and good practices for discerning and developing ways to connect and engage with communities through church music. It will consider how church music can be used as a tool to:
• Build better relationships within communities
• Bring more people to your church to make music together
• Combat social isolation, issues in mental wellbeing, and loneliness
• Express an ethos inclusivity and belonging
Joshua Hutchinson is the RSCM Courses and Choirs Administrator. In addition, for over two years he has been working for St Paul’s Church in Clifton to build and grow a community music engagement project called ‘One Equal Music’. This has engaged with communities through a variety of different projects.
Workshops 4
1 | Achieving Success in the RSCM’s Singing Awards | Christopher Sparkhall
This practical session will give ‘top tips’ for the VFL awards exams, as well as introducing a new ‘entry level’ certificate. There will be a chance to try out some of the aural tests, with advice on strategies to improve your skills, as well as looking at other sections of the awards exams, focussing on what the examiner is listening for. The aim of the session is to inspire you with the confidence to take your next (or first) exam – RSCM awards are for everyone!
Christopher Sparkhall is the RSCM Chief Examiner for Singing Awards. He is also a senior examiner at both GCSE and A level, as well as an examiner for ABRSM. Before joining RSCM, Chris was Director of Music at Canford School for 20 years, leading a large and successful department to consistently exceptional results. He is a former Organ Scholar of both Gloucester Cathedral and Worcester College, Oxford.
2 | Developing a parish vision for music | Sarah King
In the busyness of keeping musical activity going Sunday-by-Sunday, we don’t always have time to stop and think about the bigger picture. This session is an opportunity to take a step back and consider what music could do, and be, in your parish and enable you to take away some questions to ponder further with colleagues in music and ministry.
Sarah King, RSCM Education Programmes Manager, co-ordinates the work of the Education team as it delivers a diverse range of activity, including direct training in online, day and residential courses, our Voices, Residentiary and Youth Choirs, our Hymnpact! resource and our Voice for Life Award exams. She joined the RSCM in 2013 and holds an MA in Christian Liturgy as well as a first degree in Music.
3 | Giving congregations a voice | Jonathan Robinson
This session is aimed at those leading worship in churches with limited musical confidence. Often smaller in numbers and lacking regular musicians, it will nevertheless explain and demonstrate that the one resource they do have available, their voices, can be an essential enabling and community-building benefit for gatherings of all sizes.
Jonathan Robinson, RSCM Education Officer. Jonathan Robinson has pursued a lifelong fascination with congregational song through work for Anglican and Methodist Churches, and the Iona Community. After nearly a decade with the RSCM he is about to take up a new music resourcing and enabling role with the national Methodist Church.
4 | Young Voices Forum (part of Young Voices Network) | Hugh Morris
Since launching the Young Voices Network (and associated toolkit) in 2024, the RSCM has spearheaded a resurgence of interest in young people singing in church. This discussion session will enable peer-to-peer sharing of aspirations, experiences and advice; and for those who are unsure where to begin, the steps to a plan of action.
The Revd Canon Anna Macham
Anna Macham is Canon Precentor of Salisbury Cathedral, where she is responsible for the Cathedral’s Liturgy and Music, a post she has held since 2019. Previously she was parish priest of St Philip’s Camberwell, an inner-city parish off the Old Kent Road in South East London. Before that she was Succentor at Southwark Cathedral and a Chaplain to the Guy’s Campus (Medical, Dental and Biomedical Science students) of King’s College London.
She studied English at Oxford University, where developed an interest in women’s writing, and where she also held a Choral Scholarship in her College Chapel. As part of her training for ministry, she completed an MPhil in Christian Doctrine, writing a thesis on the theology of Henri de Lubac and the relationship between the Eucharist and the Church in the writings of several subsequent twentieth century theologians. During this time, she worked as a Research Assistant to Jeremy Begbie on his Theology and the Arts programme, which involved researching the music and theology of selected twentieth century choral composers, such as Stravinsky, Britten, James Macmillan and Arvo Pärt.
David Halls
Born in 1963, David Halls was taught the piano from the age of four. Whilst a pupil at Harrogate Grammar School, he was Assistant Organist at St Wilfrid’s, Harrogate, and studied the organ with Adrian Selway at St Peter’s Church, Harrogate, Ronald Perrin at Ripon Cathedral and later with Thomas Trotter in London.
David won an Organ Scholarship to Worcester College, Oxford and graduated in 1984 with an Honours Degree in Music. He passed both the Associate and Fellowship Examinations of The Royal College of Organists in the same year, being awarded five prizes and the Silver Medal from the Worshipful Company of Musicians. He studied in Winchester for a post-graduate Certificate in Education and was Organ Scholar of Winchester Cathedral under the guidance of Martin Neary and James Lancelot. He was appointed Director of Music at Salisbury Cathedral in September 2005.
Lucy Joy Morris
Lucy Joy Morris has been Director of the RSCM Youth Choir since September 2025.
Lucy Joy is a conductor, music educator, and performer known for her dynamic leadership of choirs and orchestras across the UK. A graduate of Queens’ College, Cambridge, she has worked extensively with youth ensembles, including as Principal Conductor of the National Youth Choir of Great Britain Boys’ Choir (2019–2024). Lucy Joy specialises in training choirs of changing voices and is a regular speaker on strategies for keeping boys singing.
Lucy Joy is Director of Music at Dartford Parish Church, where she directs a distinguished choir of semi-professional choral scholars. She is also Director of Cantate Youth Choirs and Head of Choral Music at Heath Mount School, where she leads the award-winning Bax Choir. Her adult choir, the Abbeydale Singers, was named ‘Choir of the Festival’ at the Isle of Man Festival in 2023.
Hugh Morris
Hugh Morris has been Director of the RSCM since August 2018. His role is to act as CEO of the charity, and as well having direct responsibilities for managerial and strategic leadership, also acts as a public figurehead for the RSCM.
Hugh is himself an accomplished professional musician, with significant experience as a church musician in a wide range of contexts from churches to cathedrals; and also has a background in education, having spent many years working as a qualified teacher.
Dr Paul Hedley
A lifetime as an accomplished musician and conductor, combined with fifteen years in executive education working with leadership teams internationally prior to joining RSCM, Paul is in a unique position to enable access to this different learning space. Former cathedral Lay Clerk, and Chief Executive of Three Choirs Festival, Paul now combines his senior management role at RSCM with running an executive coaching and leadership development business, alongside musical roles at All Saints Church, Didcot, and Cherwell Choral Society.
Canon Peter Moger
Peter Moger has been Sub Dean of Christ Church, Oxford since October 2023. He read Music at Merton College, Oxford and, after postgraduate study in composition, worked as a schoolteacher before training for reading Theology and training for ordination at St John’s College, Durham. After a curacy at Whitby, he served as Precentor at Ely Cathedral and as a parish priest, before working for the Church of England Liturgical Commission (latterly as Secretary to the Commission). From 2010-2019 he was Canon Precentor (and latterly Acting Dean) of York Minster, and from 2019-2023 served in the Scottish Episcopal Church as priest on the Isle of Lewis. Peter is the author of Crafting Common Worship, editor of the Church of England’s Lectionary, and until recently was editor of Reflections for Daily Prayer. He contributed several hymn tunes to the 2013 edition of Hymns Ancient and Modern. He has a keen interest in the interface of music and theology, and in particular the transmission of Biblical texts through musical settings.
Dr Elizabeth Stratford
Elizabeth Stratford is an inspirational choral director, musician, and educator who has redefined the boundaries of liturgical choral music. An assured keyboard player and accompanist as well as an energetic and engaging choir trainer, she is the first woman to hold a senior position in a cathedral music department and the youngest cathedral organist appointed in recent times.
With a passion for music that started at a young age, Elizabeth has dedicated her life to the promotion of choral music, seeking to involve children and adults from all backgrounds in the music foundation at Arundel Cathedral. As one of the first girl choristers in the country, she has always recognised the significant benefits which being a chorister affords, and her academic journey, marked by scholarships and postgraduate studies, has provided her with a strong foundation for her professional achievements.
As Organist and Master of the Choristers at Arundel Cathedral, her dedication to musical excellence has revitalised the Cathedral’s musical heritage. Her oversight of the Hill organ restoration and her commitment to nurturing choral talent through the recruitment of choristers and the formation of the Choral Scholarship programme have created a legacy. Under her direction, the Cathedral Choir has been broadcast on ITV and BBC One, notably live on Christmas Eve for Midnight Mass in 2014. For BBC Children in Need, broadcast live from Arundel Castle, she assembled over 100 children from local primary schools, teaching them to sing in 3-part harmony. She has also filmed for regional television and Songs of Praise. Under her direction, the Cathedral Choir has issued a number of recordings, available for streaming and download. *No Story So Divine* (2021) received excellent reviews, and the choir’s latest recording, *Jubilate Deo*, will be released in late 2024.
Beyond her role at Arundel, Elizabeth’s musicianship extends to performance and education. As a singer, she has performed in high-profile venues across the UK and in the presence of members of the British Royal Family. Her expertise as a teacher and passion for teaching are evident in her ability to inspire musicians and elevate their performance, thus influencing aspiring musicians. She has a busy teaching practice, and continues to share her knowledge through workshops and courses. Recent student successes include a singer reaching the final of the BBC Young Chorister of the Year 2023, a member of the children’s chorus in *Carmen* for Glyndebourne Festival Opera 2024, BBC Proms performances, soprano places on the Genesis Sixteen scheme (2023-24), and a Fellowship of the National Youth Choir of Great Britain (2024). Notable former choristers have gone on to sing professionally in London, both in the classical choral world and on the West End stage.
A keen composer, her works have been broadcast on television and radio and she is published by the RSCM. Her latest piece, Come Holy Ghost, received its premiere at St Paul’s Cathedral in May 2024. She is a Course Director for The Rodolfus Foundation and has taught on the Jennifer Bate Organ Academy, leading a masterclass in Romantic and modern repertoire in 2024. In 2022, she produced recordings for Setra Consort, a professional vocal ensemble based in London. She serves on the committee of the Cathedral Organists’ Association, is Administrator for the Guild of Church Musicians, and Principal of the National College of Music.
Appointed Director of Salisbury Cathedral Chamber Choir in April 2023, Elizabeth is responsible for the training and development of this choir, which makes up part of the Cathedral’s Music Foundation. The choir regularly sings services in the Cathedral, as well as performing concerts and collaborations in both the local area and further afield. Elizabeth’s influence on the choral landscape continues to be significant.
John Challenger
John Challenger has been Assistant Director of Music at Salisbury Cathedral since September 2012, where he accompanies the Cathedral’s liturgy on the great Father Willis Organ. He received his musical education as a chorister at Hereford Cathedral under Dr Roy Massey and Geraint Bowen, and as an Organ Scholar at St George’s Chapel, Windsor, and St John’s College, Cambridge; at St John’s, under the directorship of Andrew Nethsingha, he played the organ for services, concerts, recordings, broadcasts, tours, and four critically-acclaimed recordings on the Chandos label. He studied the organ with David Briggs, Jeremy Filsell, Mark Williams, and the late David Sanger, and obtained his Fellowship of the Royal College of Organists in 2008. In addition to his duties at the Cathedral, John is active as an organ teacher and recitalist.
Hilary Llystyn Jones
Hilary Llystyn Jones, born in Llandudno, North Wales studied piano, singing and harp at Chethams School of Music, Manchester and then went on to the Guildhall School of Music and Drama and studied singing with Noelle Barker. She is well known for training Cathedral choristers in the UK and her growing reputation took her on regular visits to Sweden, Norway and America. She has addressed many Organists conferences over the past 40 years and taught choristers at over half the Cathedrals in this country. Since 1992, some 30 choristers trained by Hilary, with their choir leaders, have won or been finalists in the Radio 2 Chorister of the Year, now known as the BBC Chorister of the year.
Hilary was Head of vocal studies in the specialist music department at Peter Symonds College Winchester from 1997 – 2023 and several of her students have gone on to become professional singers. Hilary was vocal coach to the City of Birmingham Symphony Youth chorus from 1995 – 2000 working with their choral director, Adrian Partington. From 2000 – 2020 Hilary was involved with the training of the RSCM Millennium Youth choir and worked on their courses at various Cathedrals in the UK as well as touring the eats coast of America, Prague and the Netherlands.
In 2018 Hilary was invited to work with the choristers of her Majesty’s Chapel Royal Choir at St James’s Palace, London. She enjoyed coaching the choristers to sing Suo Gân in Welsh at Prince Louis’ christening, recording Calon Lân during the pandemic when lessons were held on Zoom and she also coached the Welsh anthem at the King’s Coronation in 2023. Hilary is currently coaching the choir in Welsh for their visit to St Asaph for the Maundy service on April 2nd.
